The Science Fiction Hall of Fame, Volume One, 1929-1964

The Science Fiction Hall of Fame, Volume One, 1929-1964 PDF

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Robert Silverberg ist seit 1955 ein professioneller Schriftsteller, weithin bekannt für seine Science-Fiction- und Fantasy-Geschichten. Er ist mehrfacher Gewinner des Hugo- und des Nebula-Preises, wurde 1999 in die Science Fiction Hall of Fame aufgenommen und 2004 von den Science Fiction Writers of America zum Großmeister ernannt. Seine Bücher und Geschichten wurden in vierzig Sprachen übersetzt. Zu seinen bekanntesten Titeln gehören NIGHTWINGS, DYING INSIDE, THE BOOK OF SKULLS und die drei Bände des Majipoor-Zyklus: LORD VALENTINE'S CASTLE, MAJIPOOR CHRONICLES, VALENTINE PONTIFEX. Seine gesammelten Kurzgeschichten, die fast sechzig Jahre Arbeit umfassen, wurden in neun Bänden von Subterranean Press veröffentlicht. Sein neuestes Buch ist TALES OF MAJIPOOR (2013), eine neue Sammlung von Geschichten, die auf der riesigen Welt spielen, die in LORD VALENTINE'S CASTLE berühmt wurde.

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The Science Fiction Hall of Fame, Volume One, 1929-1964 pdf von Robert Silverberg

If you own only one anthology of classic science fiction, it should be The Science Fiction Hall of Fame: Volume One, 1929-1964. Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly).
The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared.
Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward

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