شعر حافظ

شعر حافظ pdf

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An Egyptian poet of the modern era. He was known as one of the great writers of his time. He was also known for his ironic style, whether in literary writing or poetry, and he was able to shine despite the presence of many great writers and poets, where he managed to find a place for himself next to them, despite his different direction. And his new concept of literature, as his culture combined Arabic heritage and English literature, like other poets of the Diwan School. The writer about the characters can choose the profession that suits the characters he presents, but it is difficult for anyone to imagine a profession other than literature. And that literature follows him wherever he goes and does not leave him until he brings him back next to him.Al-Mazini presented many distinguished poetic and prose works, among which we mention: Ibrahim Al-Katib and Ibrahim II - two novels, Al-Mazini hadiths - a collection of articles, Wildfire Harvest, Cobwebs, Al-Mazini's Diwan, The Hejaz Journey The Fund of the World, Return to Beginning, Catch the Wind, The White Book, Life Story, From the Window, The New in Arabic Literature in partnership with Taha Hussein and others, Radio Talk in partnership with Al-Akkad and others, and he also won the book “The Diwan in Literature and Criticism,” which he issued with Al-Akkad. In 1921 he became famous, and many other poems, in addition to large collections of articles, and he also translated a selection of English stories, Al-Mazini died in August of 1949. He wrote a number of books, including: Wildfire Harvest (in cash). The wind, the box of the world (in politics and for a meeting). cobwebs; Ibrahim al-Katib is back on the road.

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شعر حافظ pdf by Ibrahim Abdul Qadir Al Mazni

يتضمن هذا الكتاب سلسلةً من المقالات النقدية لشعر حافظ إبراهيم، ويعد هذا الكتاب وثيقةً نفيسةً من وثائق النقد الأدبي التي تحتل مرتبة مهمةً في مضمار السباق التاريخي؛ فهو يمثل مرحلةً متقدمة من حلقات النقد الأدبي الحديث؛ فقد تناول الكاتب قضية الشاعرية عند حافظ بالنقد والتحليل، وتناول الأغراض التي تناولها في أشعاره، وتعرَّض لعددٍ من سرقاته الشعرية، والمآخذ اللغوية والأسلوبية التي أُخِذَتْ عليه، كما خصَّ بالذكر قضيةً مهمةً؛ وهي قضية المذهب القديم والمذهب الجديد، ورأى أنَّ السبيل الأمثل لتأصيلِ هذه القضية يتجسد في عرض موازنة بين شاعرٍ مطبوعٍ مثل شكري، وشاعرٍ مصنوع مثل حافظ؛ فجاءت موازنته مبينةً لخصائص المذهبين كما ترسَّمها المذهب الشعري لكلٍ منهما. ومَنْ يُطالعُ موضوعات هذا الكتاب يجد أنَّ المازني لم يكن متحاملًا على حافظ — كما استقرَّ في وجدان البعض — ولكنه جاء مسجلًا لحركة النقد الأدبي التي واكبت هذا الشاعر.

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