في ساعة نحس

في ساعة نحس pdf

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Gabriel Garcia Marquez was a Colombian novelist, journalist, and screenwriter, widely considered one of the most important writers of the 20th century. He was born in 1927 in Aracataca, a small town in northern Colombia.

Garcia Marquez was raised by his grandparents, who had a profound influence on his life and writing. He studied law at the National University of Colombia in Bogota, but left before graduating to pursue a career in journalism.

In the 1950s and 60s, Garcia Marquez worked as a journalist in Colombia and Europe, covering topics such as politics, social issues, and culture. He also began writing fiction during this time, and published his first novel, "Leaf Storm," in 1955.

Garcia Marquez is perhaps best known for his novel "One Hundred Years of Solitude," which was published in 1967 and became a global phenomenon. The book is widely regarded as a masterpiece of magical realism, a genre that blends fantastical elements with reality.

Over the course of his career, Garcia Marquez wrote numerous novels, short stories, and non-fiction works. His other notable works include "Love in the Time of Cholera," "Chronicle of a Death Foretold," and "The Autumn of the Patriarch."

Garcia Marquez was also politically active throughout his life, and was a vocal critic of the Colombian government and its treatment of marginalized groups. He was awarded the Nobel Prize in Literature in 1982, in recognition of his contributions to the field of literature and his commitment to social justice.

Gabriel Garcia Marquez died in 2014 at the age of 87, leaving behind a legacy as one of the most important writers of the 20th century. His works continue to inspire and captivate readers around the world, and his influence on Latin American literature and culture cannot be overstated.

Book Description

في ساعة نحس pdf by Gabriel Garcia Marquez

وبتقاليد أدبية عميقة انطلق الكاتب الكولومبي غابرييل غارسيا ماركيز مستفيداً من أحداث ومنجزات الرواية المعاصرة – ليشيد صرح عالم روائي يجذب نظر المرء بمختلف ضروب جماليات العمل الفني الذي يتجلى بزخر الأبنية والعلاقات التي تربط بين جزئياته. من هنا برز حرص ماركيز على تجاوز الحضور التجريبي البارد منطلقاً إلى عالم آخر، منقلباً من عقاله، متدفقاً – كالرعب . إن هذا الحرص يتمثل في سلسلة الانتقادات الزمنية أو القفزات الهشة الوانية حيناً والمتدفقة بوحشية أحياناً أخرى إلى الإمام وإلى الوراء متنبئاً بالمستقبل في رجفة الانتظار، تستديم الماضي في غيبوبة كالاسترخاء. تتلاعب بعجلة الزمن حجباً واستحضاراً كي تبرز اللحظات الحاسمة في حياة الفرد والجماعة وفي كثير من الأحيان اللحظات القاتلة التي كفت فيها الحياة عن أن تكون إلا رحيلاً في الرماد.

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