The Remaking pdf

Clay McLeod Chapman is the author of the novels Whisper Down the Lane, The Remaking, and miss corpus, short story collections nothing untoward, commencement and rest area, as well as The Tribe middlegrade series: Homeroom Headhunters, Camp Cannibal and Academic Assassins.
Ghost Eaters, a new supernatural horror novel, hits shelves September 20, 2022 from Quirk Books, and it will scare the pants off you.
Upcoming projects include Unknown, a psychological horror anthology television series co-created with director Craig William Macneill, produced by Jonathan Nolan and Lisa Joy at Kilter Films and Amazon Studios.
Chapman’s story late bloomer was adapted into a short film, directed by Craig William Macneill. An official selection at the 2005 Sundance Film Festival, the short won Best Short at the Lake Placid Film Festival and the Brown Jenkins Award at the 12th Annual H.P. Lovecraft Film Festival.
Their second short, Henley, based on the chapter “The Henley Road Motel” from Chapman’s novel miss corpus, was an official selection at the 2012 Sundance Film Festival. It won Best Short at the 2011 Gen Art Film Festival and the 2011 Carmel Arts and Film Festival. The Boy (SXSW 2015), a feature-length adaptation of Henley, co-written with director Macneill, was produced by SpectreVision (Elijah Wood, Daniel Noah, and Josh C. Waller) in 2015.
In comics, Chapman is the writer of the Marvel series Scream: Curse of Carnage. He has written Absolute Carnage: Separation Anxiety, Iron Fist: Phantom Limb, Typhoid Fever, as well as for Edge of Spider-Verse and Venomverse, The Avengers, Amazing Spider-Man, Ultimate Spider-Man, American Vampire, Scream: King In Black, and ORIGINS among others.
He is the creator of Self Storage (451 Media) and Lazaretto (BOOM! Studios).
Chapman is the creator of the rigorous storytelling session The Pumpkin Pie Show. In the twenty years of its existence, it has performed internationally at the Romanian Theatre Festival of Sibiu, Edinburgh Fringe Festival, New York International Fringe Festival, Winnipeg Fringe Festival, Edmonton Fringe Festival, Minnesota Fringe Festival, Dublin-based thisisnotashop art space, IGNITE Festival, Women Center Stage Festival and Impact Theatre Festival.
Chapman wrote the book for Hostage Song (music & lyrics by Kyle Jarrow). He is the author of such plays as commencement, the cardiac shadow and volume of smoke. His story-monologues birdfeeder, undertow and the wet echo have been featured in The Best American Short Plays anthologies.
Chapman was educated at the North Carolina School of the Arts for Drama, the Burren College of Art, and Sarah Lawrence College. He currently teaches writing at The Actors Studio MFA Program at Pace University.

The Remaking pdf by Clay McLeod Chapman

Inspired by a true story, this supernatural thriller for fans of horror and true crime follows a tale as it evolves every twenty years—with terrifying results.
Ella Louise has lived in the woods surrounding Pilot’s Creek, Virginia, for nearly a decade. Publicly, she and her daughter Jessica are shunned by their upper-crust family and the Pilot’s Creek residents. Privately, desperate townspeople visit her apothecary for a cure to what ails them—until Ella Louise is blamed for the death of a prominent customer. Accused of witchcraft, both mother and daughter are burned at the stake in the middle of the night. Ella Louise’s burial site is never found, but the little girl has the most famous grave in the South: a steel-reinforced coffin surrounded by a fence of interconnected white crosses.
Their story will take the shape of an urban legend as it’s told around a campfire by a man forever marked by his boyhood encounters with Jessica. Decades later, a boy at that campfire will cast Amber Pendleton as Jessica in a ’70s horror movie inspired by the Witch Girl of Pilot’s Creek. Amber’s experiences on that set and its meta-remake in the ’90s will ripple through pop culture, ruining her life and career after she becomes the target of a witch hunt. Amber’s best chance to break the cycle of horror comes when a true-crime investigator tracks her down to interview her for his popular podcast. But will this final act of storytelling redeem her—or will it bring the story full circle, ready to be told once again? And again. And again…