The Science Fiction Hall of Fame, Volume One, 1929-1964

The Science Fiction Hall of Fame, Volume One, 1929-1964 pdf

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Robert Silverberg has been a professional writer since 1955, widely known for his science fiction and fantasy stories. He is a many-time winner of the Hugo and Nebula awards, was named to the Science Fiction Hall of Fame in 1999, and in 2004 was designated as a Grand Master by the Science Fiction Writers of America. His books and stories have been translated into forty languages. Among his best known titles are NIGHTWINGS, DYING INSIDE, THE BOOK OF SKULLS, and the three volumes of the Majipoor Cycle: LORD VALENTINE'S CASTLE, MAJIPOOR CHRONICLES, VALENTINE PONTIFEX. His collected short stories, covering nearly sixty years of work, have been published in nine volumes by Subterranean Press. His most recent book is TALES OF MAJIPOOR (2013), a new collection of stories set on the giant world made famous in LORD VALENTINE'S CASTLE.

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The Science Fiction Hall of Fame, Volume One, 1929-1964 pdf by Robert Silverberg

If you own only one anthology of classic science fiction, it should be The Science Fiction Hall of Fame: Volume One, 1929-1964. Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly).
The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared.
Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward

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