White pdf

Bret Easton Ellis (born March 7, 1964) is an American author, screenwriter, short-story writer, and director. Ellis was first regarded as one of the so-called literary Brat Pack and is a self-proclaimed satirist whose trademark technique, as a writer, is the expression of extreme acts and opinions in an affectless style. His novels commonly share recurring characters.
When Ellis was 21, his first novel, the controversial bestseller Less Than Zero (1985) ,was published. His third novel, American Psycho (1991), was his most successful. Upon its release the literary establishment widely condemned it as overly violent and misogynistic. Though many petitions to ban the book saw Ellis dropped by Simon & Schuster, the resounding controversy convinced Alfred A. Knopf to release it as a paperback later that year. Ellis's novels have become increasingly metafictional. Lunar Park (2005), a pseudo-memoir and ghost story, received positive reviews. Imperial Bedrooms (2010), marketed as a sequel to Less Than Zero, continues in this vein.
Four of Ellis's works have been made into films. Less Than Zero was adapted in 1987 as a film of the same name, but the film bore little resemblance to the novel. Mary Harron's adaptation of American Psycho was released in 2000. Roger Avary's adaptation of The Rules of Attraction was released in 2002. The Informers, co-written by Ellis and based on his collection of short stories, was released in 2008. Ellis also wrote the screenplay for the 2013 film The Canyons.

White pdf by Bret Easton Ellis

Combining personal reflection and social observation, Bret Easton Ellis's first work of nonfiction is an incendiary polemic about this young century's failings, e-driven and otherwise, and at once an example, definition, and defense of what "freedom of speech" truly means.

Bret Easton Ellis has wrestled with the double-edged sword of fame and notoriety for more than thirty years now, sinceLess Than Zerocatapulted him into the limelight in 1985, earning him devoted fans and, perhaps, even fiercer enemies. An enigmatic figure who has always gone against the grain and refused categorization, he captured the depravity of the eighties with one of contemporary literature's most polarizing characters,American Psycho's iconic, terrifying Patrick Bateman. In recent years, his candor and gallows humor on both Twitter and his podcast have continued his legacy as someone determined to speak the truth, however painful it might be, and whom people accordingly either love or love to hate. He encounters various positions and voices controversial opinions, more often than not fighting the status quo.
Now, inWhite, with the same originality displayed in his fiction, Ellis pours himself out onto the page and, in doing so, eviscerates the perceived good that the social-media age has wrought, starting with the dangerous cult of likeability.Whiteis both a denunciation of censorship, particularly the self-inflicted sort committed in hopes of being "accepted," and a bracing view of a life devoted to authenticity.
Provocative, incisive, funny, and surprisingly poignant,Whitereveals not only what is visible on the glittering, pristine surface but also the riotous truths that are hidden underneath.