Roger Scruton who has died of lung cancer aged 75, was a philosopher and a controversial public intellectual. Active in the fields of aesthetics, art, music, political philosophy and architecture, both inside and outside the academic world, he dedicated himself to nurturing beauty, “re-enchanting the world” and giving intellectual rigour to conservatism.
He wrote more than 50 books, including perceptive works on Spinoza, Kant, Wittgenstein and the history of philosophy, and four novels, as well as columns on wine, hunting and current affairs, and was a talented pianist and composer.
A member of the traditionalist-conservative Salisbury Group, he helped found the Salisbury Review, which he edited from 1982 to 2001. This quarterly, which was circulated in the Soviet bloc, often in samizdat form, was criticised in Britain for having retrograde attitudes. In 1984 it defended Ray Honeyford, the Bradford headteacher who had disputed the value of multicultural education. Consequent hostility from colleagues prompted Scruton to abandon in 1992 his professorship in aesthetics at what is now Birkbeck, University of London, where he had started as a lecturer in 1971. Though he felt this had scuppered his academic career, in the event it freed him for activities and adventures on a wider stage.
Death-Devoted Heart pdf by Roger Scruton
A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a mere trifle--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland.
Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century.