Global Interests: Renaissance Art Between East and West Book pdf

Jerry Brotton is a British historian. He is Professor of Renaissance Studies at Queen Mary University of London, a television and radio presenter and a curator.
Brotton writes about literature, history, material culture, trade, and east-west relations, particularly in the sixteenth and seventeenth centuries. He employs interdisciplinary approaches, looking at art, politics, history, travel writing and literature. His book A History of the World in Twelve Maps (Allen Lane, 2012) has been translated into twelve languages.[citation needed] It was accompanied by a three-part series on BBC Four, Maps: Power, Plunder and Possession.[1] His The Sale of the Late King's Goods: Charles I and His Art Collection (Macmillan, 2006) was nominated for the Samuel Johnson Prize (now the Baillie Gifford Prize). It wryly proposes that the dispersal of Charles I's art collection in 1649 was a democratic move, one that merits imitation in the contemporary world. His 2016 book This Orient Isle: Elizabethan England and the Islamic World (London: Allen Lane, 2016) was serialised on BBC Radio 4 and won the Historical Writers Association Non-Fiction Crown (2017).

Global Interests: Renaissance Art Between East and West book pdf by Jerry Brotton

Looking outward for confirmation of who they were and what defined them as "civilized," Europeans encountered the returning gaze of what we now call the East, in particular the attention of the powerful Ottoman Empire. Global Interests explores the historical interactions that arose from these encounters as it considers three less-examined art objects—portrait medals, tapestries, and equestrian art—from a fresh and stimulating perspective. As portable artifacts, these objects are particularly potent tools for exploring the cultural currents flowing between the Orient and Occident. Global Interests offers a timely reconsideration of the development of European imperialism, focusing on the Habsburg Empire of Charles V. Lisa Jardine and Jerry Brotton analyze the impact this history continues to have on contemporary perceptions of European culture and ethnic identity. They also investigate the ways in which European culture came to define itself culturally and aesthetically during the century-long span of 1450 to 1550. Ultimately, their study offers a radical and wide-ranging reassessment of Renaissance art.