Roger Scruton who has died of lung cancer aged 75, was a philosopher and a controversial public intellectual. Active in the fields of aesthetics, art, music, political philosophy and architecture, both inside and outside the academic world, he dedicated himself to nurturing beauty, “re-enchanting the world” and giving intellectual rigour to conservatism.
He wrote more than 50 books, including perceptive works on Spinoza, Kant, Wittgenstein and the history of philosophy, and four novels, as well as columns on wine, hunting and current affairs, and was a talented pianist and composer.
A member of the traditionalist-conservative Salisbury Group, he helped found the Salisbury Review, which he edited from 1982 to 2001. This quarterly, which was circulated in the Soviet bloc, often in samizdat form, was criticised in Britain for having retrograde attitudes. In 1984 it defended Ray Honeyford, the Bradford headteacher who had disputed the value of multicultural education. Consequent hostility from colleagues prompted Scruton to abandon in 1992 his professorship in aesthetics at what is now Birkbeck, University of London, where he had started as a lecturer in 1971. Though he felt this had scuppered his academic career, in the event it freed him for activities and adventures on a wider stage.
The Aesthetics of Architecture pdf by Roger Scruton
Architecture is distinguished from other art forms by its sense of function, its localized quality, its technique, its public and nonpersonal character, and its continuity with the decorative arts. In this important book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Aesthetic understanding is inseparable from a sense of detail and style, from which the appropriate, the expressive, the beautiful, and the proportionate take their meaning. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value.
In a new introduction, Scruton discusses how his ideas have developed since the book's original publication thirty years ago, and he assesses the continuing relevance of his argument for the twenty-first century.