Hitting a Straight Lick with a Crooked Stick pdf

Zora Neale Hurston (7 janvier 1891 - 28 janvier 1960) était une auteure, anthropologue et cinéaste américaine. Elle a dépeint les luttes raciales au début des années 1900 dans le sud des États-Unis et a publié des recherches sur le hoodoo. Le plus populaire de ses quatre romans est Their Eyes Were Watching God, publié en 1937. Elle a également écrit plus de 50 nouvelles, pièces de théâtre et essais.
Hurston est née à Notasulga, en Alabama, et a déménagé avec sa famille à Eatonville, en Floride, en 1894. Elle a ensuite utilisé Eatonville comme décor pour plusieurs de ses histoires. Au début de sa carrière, Hurston a mené des recherches anthropologiques et ethnographiques alors qu'elle était étudiante au Barnard College et à l'Université de Columbia. Elle s'intéressait au folklore afro-américain et caribéen et à la manière dont ceux-ci contribuaient à l'identité de la communauté.
Elle a également écrit des romans sur les problèmes contemporains de la communauté noire et est devenue une figure centrale de la Renaissance de Harlem. Ses courtes satires, s'inspirant de l'expérience afro-américaine et de la division raciale, ont été publiées dans des anthologies telles que The New Negro et Fire !! Après son retour en Floride, Hurston écrit et publie son anthologie littéraire sur le folklore afro-américain du nord de la Floride, Mules and Men (1935), et ses trois premiers romans : Jonah's Gourd Vine (1934) ; Leurs yeux regardaient Dieu (1937); et Moses, Man of the Mountain (1939). Également publié à cette époque, Tell My Horse: Voodoo and Life in Haiti and Jamaica (1938), documente ses recherches sur les rituels en Jamaïque et en Haïti.

Hitting a Straight Lick with a Crooked Stick pdf par Zora Neale Hurston

Hitting a Straight Lick with a Crooked Stick: Stories from the Harlem Renaissance

From “one of the greatest writers of our time” (Toni Morrison) the author of Barracoon and Their Eyes Were Watching God a collection of remarkable stories, including eight “lost” Harlem Renaissance tales now available to a wide audience for the first time.
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In 1925, Barnard student Zora Neale Hurston the sole black student at the college was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.
Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.
"For Zora Neale Hurston the Harlem Renaissance began in 1921, when she published her first short story, and it ended in 1937 with the publication of her masterpiece, Their Eyes Were Watching God. In the period between, she wrote twenty-one stories, all of which appear here together in a single volume for the first time. Included in Hitting a Straight Lick with a Crooked Stick are several “lost” Harlem Renaissance tales, eight of which challenge readers to rethink their assumptions about Hurston’s literary interests. An author long associated with the rural, with Eatonville, Florida, she wrote eight stories about northern cities and the Great Migration. She also wrote about Harlem’s middle class. Thus, this new Harlem Renaissance volume provides a much-needed correction to Hurston’s legacy and better reflects the true breadth of her subject matter."