Folklore, Memoirs, and Other Writings

Folklore, Memoirs, and Other Writings pdf

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Zora Neale Hurston (7 gennaio 1891-28 gennaio 1960) è stata un'autrice, antropologa e regista americana. Ha interpretato le lotte razziali nel sud americano dei primi anni del 1900 e ha pubblicato ricerche su hoodoo. Il più popolare dei suoi quattro romanzi è I loro occhi stavano guardando Dio, pubblicato nel 1937. Ha anche scritto più di 50 racconti, opere teatrali e saggi.
Hurston è nata a Notasulga, in Alabama, e si è trasferita con la sua famiglia a Eatonville, in Florida, nel 1894. In seguito ha usato Eatonville come ambientazione per molte delle sue storie. All'inizio della sua carriera, Hurston ha condotto ricerche antropologiche ed etnografiche mentre era studentessa al Barnard College e alla Columbia University. Si interessava al folklore afroamericano e caraibico e al modo in cui questi contribuivano all'identità della comunità.
Ha anche scritto romanzi su questioni contemporanee nella comunità nera ed è diventata una figura centrale del Rinascimento di Harlem. Le sue brevi satire, attingendo dall'esperienza afroamericana e dalla divisione razziale, sono state pubblicate in antologie come The New Negro e Fire!! Dopo essere tornata in Florida, Hurston scrisse e pubblicò la sua antologia letteraria sul folklore afroamericano nel nord della Florida, Mules and Men (1935) e i suoi primi tre romanzi: Jonah's Gourd Vine (1934); I loro occhi stavano guardando Dio (1937); e Moses, Man of the Mountain (1939). In questo periodo è stato anche pubblicato Tell My Horse: Voodoo and Life in Haiti and Jamaica (1938), che documenta la sua ricerca sui rituali in Giamaica e Haiti.

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Folklore, Memoirs, and Other Writings pdf da Zora Neale Hurston

 This Library of America volume, with its companion, brings together for the first time all of the best writing of Zora Neale Hurston, one of the most significant twentieth-century American writers, in one authoritative set.
“Folklore is the arts of the people,” Hurston wrote, “before they find out that there is any such thing as art.” A pioneer of African-American ethnography who did graduate study in anthropology with the renowned Franz Boas, Hurston devoted herself to preserving the black folk heritage. In Mules and Men (1935), the first book of African-American folklore written by an African American, she returned to her native Florida and to New Orleans to record stories and sermons, blues and work songs, children’s games, courtship rituals, and formulas of voodoo doctors. This classic work is presented here with the original illustrations by the great Mexican artist Miguel Covarrubias.
Tell My Horse (1938), part ethnography, part travel book, vividly recounts the survival of African religion in Jamaican obeah and Haitian voodoo in the 1930s. Keenly alert to political and intellectual currents, Hurston went beyond superficial exoticism to explore the role of these religious systems in their societies. The text is illustrated by twenty-six photographs, many of them taken by Hurston. Her extensive transcriptions of Creole songs are here accompanied by new translations.
A special feature of this volume is Hurston’s controversial 1942 autobiography, Dust Tracks on a Road. With consultation by Henry Louis Gates, Jr., it is presented here for the first time as she intended, restoring passages omitted by the original because of political controversy, sexual candor, or fear of libel. Included in an appendix are four additional chapters, one never published, which represent earlier stages of Hurston’s conception of the book.
Twenty-two essays, from “The Eatonville Anthology” (1926) to “Court Order Can’t Make Races Mix” (1955), demonstrate the range of Hurston’s concerns as they cover subjects from religion, music, and Harlem slang to Jim Crow and American democracy.
The chronology of Hurston’s life prepared for this edition sheds fresh light on many aspects of her career. In addition, this volume contains detailed notes and a brief essay on the texts.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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