Hitting a Straight Lick with a Crooked Stick

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Zora Neale Hurston (7 Ocak 1891 - 28 Ocak 1960), Amerikalı yazar, antropolog ve film yapımcısıydı. 1900'lerin başlarında Güney Amerika'daki ırksal mücadeleleri tasvir etti ve hoodoo hakkında araştırmalar yayınladı. Dört romanından en popüleri 1937'de yayınlanan Gözleri Tanrı'yı ​​​​İzliyordu. Ayrıca 50'den fazla kısa öykü, oyun ve deneme yazdı.
Hurston, Alabama, Notasulga'da doğdu ve 1894'te ailesiyle birlikte Eatonville, Florida'ya taşındı. Daha sonra hikayelerinin çoğu için Eatonville'i kullandı. Hurston, kariyerinin ilk yıllarında, Barnard Koleji ve Columbia Üniversitesi'nde öğrenciyken antropolojik ve etnografik araştırmalar yürüttü. Afro-Amerikan ve Karayip folkloruna ve bunların topluluğun kimliğine nasıl katkıda bulunduğuna ilgi duyuyordu.
Ayrıca Siyah topluluktaki çağdaş meseleler hakkında kurgu yazdı ve Harlem Rönesansının merkezi bir figürü oldu. Afrikalı-Amerikalı deneyiminden ve ırk ayrımından yola çıkan kısa hicivleri The New Negro ve Fire gibi antolojilerde yayınlandı! Florida'ya geri döndükten sonra, Hurston, Kuzey Florida'daki Afro-Amerikan folkloru üzerine edebi antolojisini yazdı ve yayınladı, Mules and Men (1935) ve ilk üç romanı: Jonah's Gourd Vine (1934); Gözleri Tanrı'yı ​​​​İzliyordu (1937); ve Moses, Man of the Mountain (1939). Bu süre zarfında, Jamaika ve Haiti'deki ritüeller üzerine araştırmasını belgeleyen Tell My Horse: Voodoo and Life in Haiti and Jamaica (1938) da yayınlandı.

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Hitting a Straight Lick with a Crooked Stick roman pdf oku ve indir Zora Neale Hurston

Hitting a Straight Lick with a Crooked Stick: Stories from the Harlem Renaissance

From “one of the greatest writers of our time” (Toni Morrison) the author of Barracoon and Their Eyes Were Watching God a collection of remarkable stories, including eight “lost” Harlem Renaissance tales now available to a wide audience for the first time.
Newsweek’s Most Anticipated Books of 2020
Forbes.com’s Most Anticipated Books of 2020
Publishers Weekly’s Notable Titles
In 1925, Barnard student Zora Neale Hurston the sole black student at the college was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.
Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.
"For Zora Neale Hurston the Harlem Renaissance began in 1921, when she published her first short story, and it ended in 1937 with the publication of her masterpiece, Their Eyes Were Watching God. In the period between, she wrote twenty-one stories, all of which appear here together in a single volume for the first time. Included in Hitting a Straight Lick with a Crooked Stick are several “lost” Harlem Renaissance tales, eight of which challenge readers to rethink their assumptions about Hurston’s literary interests. An author long associated with the rural, with Eatonville, Florida, she wrote eight stories about northern cities and the Great Migration. She also wrote about Harlem’s middle class. Thus, this new Harlem Renaissance volume provides a much-needed correction to Hurston’s legacy and better reflects the true breadth of her subject matter."

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