Remix: Making Art and Commerce Thrive in the Hybrid Economy Kitap pdf indir

Lawrence Lessig, Harvard Hukuk Okulu'nda Roy L. Furman Hukuk ve Liderlik Profesörüdür. Harvard'a dönmeden önce İnternet ve Toplum Merkezi'ni kurduğu Stanford Hukuk Okulu'nda ve Chicago Üniversitesi'nde ders verdi. Temyiz Mahkemesi'nde Yargıç Richard Posner'ın ve Amerika Birleşik Devletleri Yüksek Mahkemesi'nde Yargıç Antonin Scalia'nın katipliğini yaptı. Lessig, Equal Citizens'ın kurucusu ve Creative Commons'ın kurucu yönetim kurulu üyesidir ve AXA Araştırma Fonu Bilim Kurulu'nda görev yapmaktadır. American Academy of Arts and Sciences ve American Philosophical Society üyesi olarak, aralarında Webby, Free Software Foundation'ın Özgürlük Ödülü, Scientific American 50 Ödülü ve Fastcase 50 Ödülünün de bulunduğu çok sayıda ödül aldı. The New Yorker tarafından “İnternet çağında fikri mülkiyet konusunda en önemli düşünür” olarak anılan Lessig, odağını hukuk ve teknolojiden “kurumsal yolsuzluğa” - yasal olmakla birlikte kamunun bir kuruma olan güvenini zayıflatan ilişkilere - özellikle de odaklandı. çünkü bu demokrasiyi etkiler. Lessig, Pennsylvania Üniversitesi'nden ekonomi alanında lisans ve yönetim alanında lisans, Cambridge Üniversitesi'nden felsefe alanında yüksek lisans ve Yale'den JD derecesine sahiptir.

Remix: Making Art and Commerce Thrive in the Hybrid Economy kitap pdf oku ve indir Lawrence Lessig

The author of Free Culture shows how we harm our children—and almost anyone who creates, enjoys, or sells any art form—with a restrictive copyright system driven by corporate interests. Lessig reveals the solutions to this impasse offered by a collaborative yet profitable “hybrid economy”. Lawrence Lessig, the reigning authority on intellectual property in the Internet age, spotlights the newest and possibly the most harmful culture war—a war waged against our kids and others who create and consume art. America’s copyright laws have ceased to perform their original, beneficial role: protecting artists’ creations while allowing them to build on previous creative works. In fact, our system now criminalizes those very actions. For many, new technologies have made it irresistible to flout these unreasonable and ultimately untenable laws. Some of today’s most talented artists are felons, and so are our kids, who see no reason why they shouldn’t do what their computers and the Web let them do, from burning a copyrighted CD for a friend to “biting” riffs from films, videos, songs, etc and making new art from them. Criminalizing our children and others is exactly what our society should not do, and Lessig shows how we can and must end this conflict—a war as ill conceived and unwinnable as the war on drugs. By embracing “read-write culture,” which allows its users to create art as readily as they consume it, we can ensure that creators get the support—artistic, commercial, and ethical—that they deserve and need. Indeed, we can already see glimmers of a new hybrid economy that combines the profit motives of traditional business with the “sharing economy” evident in such Web sites as Wikipedia and YouTube. The hybrid economy will become ever more prominent in every creative realm—from news to music—and Lessig shows how we can and should use it to benefit those who make and consume culture. Remix is an urgent, eloquent plea to end a war that harms our children and other intrepid creative users of new technologies. It also offers an inspiring vision of the post-war world where enormous opportunities await those who view art as a resource to be shared openly rather than a commodity to be hoarded.