Folklore, Memoirs, and Other Writings pdf

佐拉·尼尔·赫斯顿（佐拉·尼尔·赫斯顿，1891 年 1 月 7 日至 1960 年 1 月 28 日）是美国作家、人类学家和电影制片人。她描绘了 1900 年代早期美国南部的种族斗争，并发表了关于不祥之物的研究。她的四部小说中最受欢迎的是 1937 年出版的《他们的眼睛看着上帝》。她还写了 50 多篇短篇小说、戏剧和散文。
赫斯顿出生于阿拉巴马州的诺塔苏尔加，并于 1894 年随家人搬到佛罗里达州的伊顿维尔。她后来将伊顿维尔作为她许多故事的背景。在她早期的职业生涯中，赫斯顿在巴纳德学院和哥伦比亚大学就读期间进行了人类学和人种学研究。她对非洲裔美国人和加勒比地区的民间传说以及这些民间传说对社区身份的贡献很感兴趣。
她还写了关于黑人社区当代问题的小说，并成为哈莱姆文艺复兴的核心人物。她从非洲裔美国人的经历和种族划分中汲取的短篇讽刺作品发表在《新黑人与火焰！！》等选集中。搬回佛罗里达后，赫斯顿撰写并出版了她关于北佛罗里达非裔美国人民间传说的文学选集《骡子和男人》（1935 年），以及她的前三部小说：《乔纳的葫芦藤》（1934 年）；他们的眼睛注视着上帝（1937）；和摩西，山中人（1939 年）。在此期间还出版了《告诉我的马：海地和牙买加的巫毒与生活》（1938 年），记录了她对牙买加和海地仪式的研究。

Folklore, Memoirs, and Other Writings pdf 佐拉·尼尔·赫斯顿

 This Library of America volume, with its companion, brings together for the first time all of the best writing of Zora Neale Hurston, one of the most significant twentieth-century American writers, in one authoritative set.
“Folklore is the arts of the people,” Hurston wrote, “before they find out that there is any such thing as art.” A pioneer of African-American ethnography who did graduate study in anthropology with the renowned Franz Boas, Hurston devoted herself to preserving the black folk heritage. In Mules and Men (1935), the first book of African-American folklore written by an African American, she returned to her native Florida and to New Orleans to record stories and sermons, blues and work songs, children’s games, courtship rituals, and formulas of voodoo doctors. This classic work is presented here with the original illustrations by the great Mexican artist Miguel Covarrubias.
Tell My Horse (1938), part ethnography, part travel book, vividly recounts the survival of African religion in Jamaican obeah and Haitian voodoo in the 1930s. Keenly alert to political and intellectual currents, Hurston went beyond superficial exoticism to explore the role of these religious systems in their societies. The text is illustrated by twenty-six photographs, many of them taken by Hurston. Her extensive transcriptions of Creole songs are here accompanied by new translations.
A special feature of this volume is Hurston’s controversial 1942 autobiography, Dust Tracks on a Road. With consultation by Henry Louis Gates, Jr., it is presented here for the first time as she intended, restoring passages omitted by the original because of political controversy, sexual candor, or fear of libel. Included in an appendix are four additional chapters, one never published, which represent earlier stages of Hurston’s conception of the book.
Twenty-two essays, from “The Eatonville Anthology” (1926) to “Court Order Can’t Make Races Mix” (1955), demonstrate the range of Hurston’s concerns as they cover subjects from religion, music, and Harlem slang to Jim Crow and American democracy.
The chronology of Hurston’s life prepared for this edition sheds fresh light on many aspects of her career. In addition, this volume contains detailed notes and a brief essay on the texts.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.