How It Feels to Be Colored Me pdf

佐拉·尼尔·赫斯顿（佐拉·尼尔·赫斯顿，1891 年 1 月 7 日至 1960 年 1 月 28 日）是美国作家、人类学家和电影制片人。她描绘了 1900 年代早期美国南部的种族斗争，并发表了关于不祥之物的研究。她的四部小说中最受欢迎的是 1937 年出版的《他们的眼睛看着上帝》。她还写了 50 多篇短篇小说、戏剧和散文。
赫斯顿出生于阿拉巴马州的诺塔苏尔加，并于 1894 年随家人搬到佛罗里达州的伊顿维尔。她后来将伊顿维尔作为她许多故事的背景。在她早期的职业生涯中，赫斯顿在巴纳德学院和哥伦比亚大学就读期间进行了人类学和人种学研究。她对非洲裔美国人和加勒比地区的民间传说以及这些民间传说对社区身份的贡献很感兴趣。
她还写了关于黑人社区当代问题的小说，并成为哈莱姆文艺复兴的核心人物。她从非洲裔美国人的经历和种族划分中汲取的短篇讽刺作品发表在《新黑人与火焰！！》等选集中。搬回佛罗里达后，赫斯顿撰写并出版了她关于北佛罗里达非裔美国人民间传说的文学选集《骡子和男人》（1935 年），以及她的前三部小说：《乔纳的葫芦藤》（1934 年）；他们的眼睛注视着上帝（1937）；和摩西，山中人（1939 年）。在此期间还出版了《告诉我的马：海地和牙买加的巫毒与生活》（1938 年），记录了她对牙买加和海地仪式的研究。

How It Feels to Be Colored Me pdf 佐拉·尼尔·赫斯顿

"How It Feels To Be Colored Me" by Florida native Zora Neale Hurston was originally published in The World Tomorrow in May 1928. In this autobiographical piece about her own color, Hurston reflects on her early childhood in an all-black Florida town and her first experiences in life feeling "different." In this beautiful piece, Hurston largely focuses on the similarities we all share and on her own self-identity in the face of difference. "Through it all, I remain myself." This short work is part of Applewood’s "American Roots" series, tactile mementos of American passions by some of America’s most famous writers and thinkers.

"I am colored but I offer nothing in the way of extenuating circumstances except the fact that I am the only Negro in the United States whose grandfather on the mother's side was not an Indian chief.
I remember the very day that I became colored. Up to my thirteenth year I lived in the little Negro town of Eatonville, Florida. It is exclusively a colored town. The only white people I knew passed through the town going to or coming from Orlando. The native whites rode dusty horses, the Northern tourists chugged down the sandy village road in automobiles. The town knew the Southerners and never stopped cane chewing when they passed. But the Northerners were something else again. They were peered at cautiously from behind curtains by the timid.
The more venturesome would come out on the porch to watch them go past and got just as much pleasure out of the tourists as the tourists got out of the village."