Pure Immanence: Essays on A Life pdf

吉尔·德勒兹（法语 Gilles Deleuze）（1925 年 1 月 18 日 - 1995 年 11 月 4 日）是一位法国哲学家，从 1950 年代初期到 1995 年去世，他的著作涉及哲学、文学、电影和美术。Plateau 1980，合着两者与精神分析师菲利克斯·加塔里 (Felix Guattari) 合作。他的形而上学论文《差异与重复》（1968）被许多学者认为是他最伟大的创作之一。哲学家阿德里安·威廉·摩尔将他列为“最伟大的哲学家”之一，引用了伯纳德·威廉姆斯关于伟大思想家的标准。尽管他过去将自己描述为“纯粹的形而上学”，但他的作品影响了哲学和艺术的各个学科，包括文学理论、后结构主义和后现代主义。 吉尔·德勒兹，以及许多受马克思主义启发的新斯宾诺斯主义者，如路易斯·阿尔都塞、艾蒂安·巴利巴尔和安东尼奥·内格里，是二十世纪末和二十一世纪初斯宾诺莎大陆哲学研究蓬勃发展的关键人物之一（或受后结构主义启发的法国斯宾诺莎主义的兴起），这是斯宾诺莎在历史上的第二次复兴，在大约 18 世纪末和 19 世纪初在德国哲学和文学中具有重要意义的新斯宾诺兹主义之后。德勒兹对斯宾诺莎的关注和崇敬在当代哲学中是众所周知的。正如皮埃尔·马切里所说，“德勒兹著作的一个重要部分是致力于阅读哲学家：斯托克斯、莱布尼茨、休谟、康德、尼采、柏格森等。但是这个名单上的一个个人职位将被分配给斯宾诺莎，因为他所对应的哲学兴趣。

Pure Immanence: Essays on A Life pdf 吉尔·德勒兹

The essays in this book present a complex theme at the heart of the philosophy of Gilles Deleuze, what in his last writing he called simply ''a life.'' They capture a problem that runs throughout his work--his long search for a new and superior empiricism. Announced in his first book, on David Hume, then taking off with his early studies of Nietzsche and Bergson, the problem of an ''empiricist conversion'' became central to Deleuze's work, in particular to his aesthetics and his conception of the art of cinema. In the new regime of communication and information-machines with which he thought we are confronted today, he came to believe that such a conversion, such an empiricism, such a new art and will-to-art, was what we need most. The last, seemingly minor question of ''a life'' is thus inseparable from Deleuze's striking image of philosophy not as a wisdom we already possess, but as a pure immanence of what is yet to come. Perhaps the full exploitation of that image, from one of the most original trajectories in contemporary philosophy, is also yet to come.