The Two Paths

The Two Paths pdf

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928

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英语

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艺术和运动

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130

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572728 MB

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约翰·拉斯金(John Ruskin,1819 年 2 月 8 日 - 1900 年 1 月 20 日)是英国作家、哲学家、艺术评论家和维多利亚时代的博学家。他撰写的主题多种多样,包括地质学、建筑学、神话、鸟类学、文学、教育、植物学和政治经济学。 拉斯金的写作风格和文学形式同样多种多样。他写散文和论文、诗歌和讲座、旅游指南和手册、信件甚至童话。他还对岩石、植物、鸟类、风景、建筑结构和装饰物进行了详细的素描和绘画。他最早的艺术作品所采用的精致风格及时让位于旨在更有效地传达他的想法的更简单的语言。在他所有的作品中,他都强调了自然、艺术和社会之间的联系。 拉斯金在 19 世纪下半叶和第一次世界大战期间具有巨大的影响力。在经历了一段相对衰落的时期后,自 1960 年代以来,他的声誉稳步提高,发表了许多关于他作品的学术研究。今天,他的想法和关注被广泛认为是对环保主义、可持续性和工艺的预期兴趣。 拉斯金的第一卷《现代画家》(1843 年)首次引起广泛关注,这是一篇为 J. M. W. 特纳(J. M. W. Turner)的作品辩护的长篇文章,他认为艺术家的主要角色是“对自然的真理”。从 1850 年代开始,他支持受他的思想影响的拉斐尔前派。他的工作越来越关注社会和政治问题。直到最后(1860、1862)标志着重点的转变。 1869 年,拉斯金成为牛津大学第一位斯莱德美术教授,并在那里建立了拉斯金绘画学院。 1871 年,他开始撰写月刊“致英国工人和劳工的信”,以 Fors Clavigera(1871-1884 年)为题出版。在这项复杂而深刻的个人工作过程中,他发展了他理想社会的基本原则。结果,他创立了圣乔治公会,这个组织延续至今。

书的描述

The Two Paths pdf 约翰·拉斯金

In The Two Paths, Ruskin connects his theories of art with economic and practical life. The central theme of Ruskin's theories of art was that contented individuals-working within a just society and striving to capture the essence of nature-produce fine and noble art, while corrupt and despondent individuals-working within an unjust society and relying on the tools of the machine age-produce inferior art. Ruskin's essays anticipate and complement theoretical approaches by critics such as Walter Benjamin, Theodor Adorno, and Max Horkheimer. Offering a reconsideration of the rhetorical tradition from a visual perspective, this Prospects in Visual Rhetoric Critical Edition is the only edition of The Two Paths currently in print. The introductions and annotations were designed to facilitate critical discussions of Ruskin's theories of art, his role as a social reformer, his visual rhetoric, and the historical/political contexts of his work. The editor's notes define names and cultural allusions in the text, which also includes all appendices and Ruskin's own introduction and illustrations. About the Author John Ruskin (1819-1900), best known for his studies of design and its social and historical implications, is perhaps the greatest critic of culture and art in English history. About the Editor Christine Roth is assistant professor of English at the University of Wisconsin - Oshkosh, where she teaches and writes about nineteenth-century British literature and the Pre-Raphaelite movement.

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